1. warmpockets:

    warmpockets:

    i’m watching an art theft documentary and they’re interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they weren’t the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was like “this is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, don’t say a word to anyone just nod if it’s the rubens, the last operation we did the guy in your position got shot because things went wrong in a second” and then it cuts to the professor’s interview and he says “i wasn’t going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubens’s aurora and just NOT say anything. i was gonna have to ad lib a little” and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was like “i hadn’t taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldn’t leave” 

    at one point during the deal the professor turned to the woman selling it and he said “isn’t this just the most beautiful rubens you’ve ever seen outside of a museum?” (because the fbi had told him earlier that this piece had been stolen from a museum) and THEN he said “where on earth did you get it from?” and the group of people the woman had with her was like taxidermy-fox.png but the woman was like “inheritance” can you IMAGINE the fbi agent about to have a fucking aneurysm when this random guy you’ve brought in just to nod if it’s the right painting not only starts giving an impromptu lecture but then he asks how they got it

    (via iamagarden)

     
  2. comicstoastonish:

    Sandman #43 (1992)

    Writer: Neil Gaiman

    Artist: Jill Thompson

    (via neil-gaiman)

     

  3. "

    What can I say, I’m a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff which despite the light of the progress and all that, still vanishes every day like the shadows at noon, goings unheralded, passings unmourned, well, you get the drift.

    As a counselor once told me — a Counselor for Disaffected Youth, I might add: “You like that crap because it reminds you of you.” Couldn’t of said it better or put it more bluntly.

    "
    — Danielewski, Mark Z. House of Leaves. 2nd Edition. NY: Pantheon Books, 2000, p 21. (via zeddified)
     
  4. (Source: theticklishpear, via iamagarden)

     
     
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  6. "My friend told me a story he hadn’t told anyone for years. When he used to tell it years ago people would laugh and say, ‘Who’d believe that? How can that be true? That’s daft.’ So he didn’t tell it again for ages. But for some reason, last night, he knew it would be just the kind of story I would love.
     
    When he was a kid, he said, they didn’t use the word autism, they just said ‘shy’, or ‘isn’t very good at being around strangers or lots of people.’ But that’s what he was, and is, and he doesn’t mind telling anyone. It’s just a matter of fact with him, and sometimes it makes him sound a little and act different, but that’s okay.
     
    Anyway, when he was a kid it was the middle of the 1980s and they were still saying ‘shy’ or ‘withdrawn’ rather than ‘autistic’. He went to London with his mother to see a special screening of a new film he really loved. He must have won a competition or something, I think. Some of the details he can’t quite remember, but he thinks it must have been London they went to, and the film…! Well, the film is one of my all-time favourites, too. It’s a dark, mysterious fantasy movie. Every single frame is crammed with puppets and goblins. There are silly songs and a goblin king who wears clingy silver tights and who kidnaps a baby and this is what kickstarts the whole adventure.
     
    It was ‘Labyrinth’, of course, and the star was David Bowie, and he was there to meet the children who had come to see this special screening.
     
    ‘I met David Bowie once,’ was the thing that my friend said, that caught my attention.
     
    ‘You did? When was this?’ I was amazed, and surprised, too, at the casual way he brought this revelation out. Almost anyone else I know would have told the tale a million times already.
     
    He seemed surprised I would want to know, and he told me the whole thing, all out of order, and I eked the details out of him.
     
    He told the story as if it was he’d been on an adventure back then, and he wasn’t quite allowed to tell the story. Like there was a pact, or a magic spell surrounding it. As if something profound and peculiar would occur if he broke the confidence.
     
    It was thirty years ago and all us kids who’d loved Labyrinth then, and who still love it now, are all middle-aged. Saddest of all, the Goblin King is dead. Does the magic still exist?
     
    I asked him what happened on his adventure.
     
    ‘I was withdrawn, more withdrawn than the other kids. We all got a signed poster. Because I was so shy, they put me in a separate room, to one side, and so I got to meet him alone. He’d heard I was shy and it was his idea. He spent thirty minutes with me.
     
    ‘He gave me this mask. This one. Look.
     
    ‘He said: ‘This is an invisible mask, you see?
     
    ‘He took it off his own face and looked around like he was scared and uncomfortable all of a sudden. He passed me his invisible mask. ‘Put it on,’ he told me. ‘It’s magic.’
     
    ‘And so I did.
     
    ‘Then he told me, ‘I always feel afraid, just the same as you. But I wear this mask every single day. And it doesn’t take the fear away, but it makes it feel a bit better. I feel brave enough then to face the whole world and all the people. And now you will, too.
     
    ‘I sat there in his magic mask, looking through the eyes at David Bowie and it was true, I did feel better.
     
    ‘Then I watched as he made another magic mask. He spun it out of thin air, out of nothing at all. He finished it and smiled and then he put it on. And he looked so relieved and pleased. He smiled at me.
     
    ‘'Now we’ve both got invisible masks. We can both see through them perfectly well and no one would know we’re even wearing them,’ he said.
     
    ‘So, I felt incredibly comfortable. It was the first time I felt safe in my whole life.
     
    ‘It was magic. He was a wizard. He was a goblin king, grinning at me.
     
    ‘I still keep the mask, of course. This is it, now. Look.’
     
    I kept asking my friend questions, amazed by his story. I loved it and wanted all the details. How many other kids? Did they have puppets from the film there, as well? What was David Bowie wearing? I imagined him in his lilac suit from Live Aid. Or maybe he was dressed as the Goblin King in lacy ruffles and cobwebs and glitter.
     
    What was the last thing he said to you, when you had to say goodbye?
     
    ‘David Bowie said, ‘I’m always afraid as well. But this is how you can feel brave in the world.’ And then it was over. I’ve never forgotten it. And years later I cried when I heard he had passed.’
     
    My friend was surprised I was delighted by this tale.
     
    ‘The normal reaction is: that’s just a stupid story. Fancy believing in an invisible mask.’
     
    But I do. I really believe in it.
     
    And it’s the best story I’ve heard all year."
    — Paul Magrs (via yourfluffiestnightmare)

    (Source: lifeonmagrs.blogspot.de, via neil-gaiman)

     
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  9. hopeless-but-heartless:

    Growing up in an angry household is honestly so terrifying. Where if you make one tiny mistake you get tormented and treated like you are the worst child in the world. Children make mistakes, children break things accidently. Nice things, expensive things, they are children. To this day if I accidently drop the small gate to keep my dog out of the living room I fucking cringe because I know I am going to be SCREAMED at and I’m 23 years old. It instilled fear and anxiety in me, that never should have existed as a child. Your children should not be terrified of you. Your children are allowed to have accidents

    (via btamins1)

     
  10. (Source: knitpeaks)

     
     
  11. myellenficent:

    Harry Dean Stanton and David Lynch on the set of Twin Peaks, 2017 (photo by Cori Glazer)

    (via joshstephenstattoos)

     

  12. "I wish you a kinder sea."
    — Emily Dickinson, from a letter to Catherine May Scott c. August 1848
    (via reginalemco)

    (Source: violentwavesofemotion, via oddlydee)

     
  13. 10oclockdot:

    My contribution to the internet’s go-for-broke project of converting all philosophy into Trolley Problem Memes.

    (BTW, the official Facebook page is in the process of posting some of these: here’s Ship of Theseus, Buridan’s Ass, Sorites, China Brain, plus more to come…)

    (Extra info on what I was going for in the Newcomb, Simone Weil (click “Didn’t Get the Joke?”), “Innocent Murder”, and Smullyan problems. The rest can be easily Googled.)

    (via we-kant-even)

     
  14. archatlas:

    Tiny Intricate Treehouses for Houseplants

    Los Angeles–based artist Jedediah Corwyn Voltz is a prop-maker for TV and film by day who has a charming side business making tiny treehouses for potted bonsai trees, cacti, and succulents.

    Building miniatures for stop motion always leaves me with a huge bin of scrap balsa, basswood, various fabrics, etc. and I found myself making little fantasy constructions out of that stuff during my downtime,” Voltz told The Slate in an email. “Those little scrap forts led to me building some more serious ones in little diorama settings, and last year I built my first living treehouse.”

    The tiny treehouses will be on display (and for sale) at L.A.’s Virgil Normal starting April 23. Voltz is available for commissions in L.A. and is developing DIY miniature treehouse-making kits that he hopes to make available next year. Check out more of his work here.

    Images and text via gifs via

    (Source: archatlas)

     
  15. subtilitas:

    Junya Ishigami - Tables for a restaurant, Yamaguchi 2008. An early project out of Ishigami’s office that signaled his interest in the perceivable scales of architectural space. The client for this restaurant project wished to seat 5 pairs of people (10 total) privately within a small existing space. Rather than cordon off the room with walls to create these separations, the furniture itself is designed as a series of small structures to generate a spatial configuration. Each table is over-sized for just two people, and features a carefully selected and placed array of potted plants located in the areas adjacent to the areas for table settings. While large in plan, these tables are built at only 4.5mm thick at the top, ensuring they do not overburden the space. By not just becoming objects in space, but rather generating the space themselves, the furniture becomes a micro-architecture; a planning exercise at the scale of a room, a garden at the scale of a table top, a study in the threshold of tectonic borders.  

    All images personal scans from here.

    (Source: subtilitas, via subtilitas)